After I shot my load of cum down that cute cub’s throat at the corner of 9th and Folsom, I was strapped to a St. Andrew’s Cross and had the snot flogged outta me.
Albadger,
John, and I went to Flipper’s for lunch, and then Albadger and I went to the matinee performance of Handel’s Rodelinda. In honor of the day, I did go in my leathers: Red Wing boots, harness, Green Leather shorts, vest, cap, and these nifty maroon spandex boxer briefs I got at Target last Monday. So as not to offend the delicate sensibilities of the blue-hair set, I did wear a blue cotton and spandex t-shirt under the harness. Let me tell ya, standing room for three-and-a-half hours in two inch heels is quite a challenge. But what a transcendent event!
The staging of Rodelinda is definitely noir. Pamela Rosenberg’s Eurotrash friends actually got one right: they peeled back the layers of the libretto and found the emotional core of the work, and the stark lighting and mostly black wardrobe worked remarkably well with this baroque mastepiece. Every member of the cast was exceptional, especially the uber-woofy countertenor David Daniels as Bertarido, the deposed King of Lombardy.
Especially exciting was getting hit on by that drunk opera queen during the first intermission – he had an extra seat in the third row next to him, and would I join him? Later, during the second intermission, a high society woman gave me her ticket to her front row seat! I didn’t want to abandon Albadger, though, so I gave it to another person in standing room. I can’t imagine why anyone would have left before the amazing third act, though. It was really spectacular!